Chapter 1 Introduction
Every nation pursues heroism, and every country hopes to convey its cultural value by creating heroic images. However, the hero image presented by China and the United States is very different due to the different social nature, development course and value concept. This paper will compare the presentation of hero images in Chinese and American science fiction films, interpret the similarities and differences of heroism in films through the comparison of values, analyze the background and reasons of heroism, as well as the future development trend.
1.1 Background of the Study
Heroism is the main theme of American Hollywood films and Chinese film, and also the essence and soul of heroes in the films. Throughout the Hollywood blockbusters in the United States, personal heroism reflects different spiritual connotations of personal heroism due to the different plot and background of the film.
As a comprehensive art form, film is one of the carriers of the culture of a country or nation. It carries forward the core values and cultural essence of the country or nation, and spreads its culture and mainstream consciousness to all parts of the world. However, science fiction films are different from real films in terms of the virtual nature of their shooting objects, the diversity of expression techniques and the uniqueness of artistic styles. They can show the imagination and exaggeration that are difficult for real actors and real scenes to show. Since the birth of science fiction films, not only by the pursuit of children, but also by the majority of adult audiences. There are various types of characters in science fiction films, and the hero image is an important type of image creation in science fiction films. The shaping of hero image in science fiction films is of great significance and value.
From the perspective of heroes themselves, heroes have noble character beyond ordinary people and are the embodiment of justice. Since ancient times, people in all over the world have respected in heroes. As a positive model, heroes guide individuals to make progress spiritually and promote social progress. Due to the differences in cultural background, artistic concept, film production technology and audience positioning, Chinese and American heroes in science fiction films have many differences. In this paper, representative hero images created in current Chinese and American science fiction films are mined, and their similarities and differences are compared and analyzed. China and the United States are two countries with completely different social nature. This paper will analyze the differences in the values of heroism in science fiction films of China and the United States, as well as their spiritual cores, and elaborate the different cultural backgrounds, cultural connotations and cultural differences between China and the United States.
Bibliography
[1].Li Yifei, A Comaprison between Chinese and Western Heroism through Films and Television Works. Henan University, 2015.
[2] .Fu Xing, Zhao Ying, Heroism and “Anti-hero” Characters in American Movies, Movie Literature, vol.19, pp.38-40, 2015.
[3]. Haitao Cui, The cause of American heroic movies, Chinese Journal of Business Culture, Vol. 11, p.155, 2010.
[4].Fengting Zhang, Research American heroism on Hollywood movies, Chinese Journal of The Guide of Science & Education, Vol. 3, pp.139-140, 2017.
[5]. Anqi Zhang, Some thoughts on the values of individual heroism in American comic film, Chinese Journal of Modern SOE Research, Vol. 16, p. 211, 2017.
[6]. 王欢.中美电影中的英雄主义对比看文化价值差异[J].2012, 08:266-267.
[7].杨小曦.美国好莱坞影片中个人英雄主义类型分析[J].2020, 03:128-129.
[8]. 颜纯钧.电影的读解[M].北京:中国电影出版社.1995.
[9].王文科.传媒导论[M].杭州:浙江大学出版社.2008.
[10].[英]卡莱尔.英雄和英雄崇拜——卡莱尔演讲集[M].张峰译.上海:上海三联书店.1988.
[11].肖伊谷.“英雄主义”视角下中美电影的比较研究[J].2016,04:99-100.
[12].刘静.好莱坞电影个人英雄主义价值观研究[J].电影文学.2014(24).
[13].毛晋华.从好莱坞电影看美式个人英雄主义价值观[J].电影文学.2013(16).
[11].姬相轩.中国新时期银幕英雄形象流变研究[D].曲阜师范大学,2009.
[14].何启洲.系列动作电影英雄形象创造研究[D].苏州大学,2012.
[15].崔辰.美国超级英雄电影研究:神话、路程和变迁[D].上海戏剧学院,2013.
[16].谭君.从《超凡蜘蛛侠》看美国式个人英雄主义[J].电影文学,2012,23:109-110.
[17]. 袁帅,万宏瑜. 中美电影中英雄主义的比较与融合——以《功夫熊猫》和《陵十三钗》 为例[J]. 山西大同大学学报(社会科学版),2013,03:62-64+89.
[18].周小玲.试论美国电影中的英雄情结[J].渝西学院学报,2002(06)
[19].谭婧伶.中美电影中的英雄形象比较[J].青年文学家,2013,08:241+243.
[20] 汪自友.浅析美国电影中的个人英雄主义[J].湖南化工职业技术学院学报,2012(16):23-24.
[21] 张凤婷.从好莱坞看美国英雄主义[J].科教导刊,2017(08):139-140.
[22] 马成龙.好莱坞电影对我国大学生价值观的影响及对策[D].东北师范大学,2014:16.
[23] 杨辉.美国好莱坞影片中个人英雄主义类型分析[J].传媒论坛,2020(04):28-29.
[24] [英]托比·米勒和尼廷·戈维尔.全球好莱坞[M].伦敦:BFI 出版,2005:25-27.
[25] [美]约翰·贝尔顿著,米静等译.美国电影&美国文化[M].上海:上海人民出版社,2010:23.
[26] 詹姆斯·季南.好莱坞电影类型[M].上海:复旦大学出版社,2012:12-13.
[27] 肯德里克.电影暴力与新好莱坞[M].伯明顿印第安纳大学,2020:33-35.
标签:Chinese,science,价值观,电影,fiction,科幻电影,英雄主义,films From: https://blog.51cto.com/u_16306489/8041905